The minor chords can be substituted for minor seventh chords.Let TranceEngine turn your chords into driving arpeggios and melodies. It involves moving the up the neck using dif. The standard 12-bar blues with three chords in all minor keys. In this lesson we are going to study some ways to color the E7 and A7 chords for an acoustic blues progression. It is common to play seventh chords in blues, but it is possible to substitute it for ninth chords. The standard 12-bar blues with three chords in all keys. Notice how this progression is based on the descending fifth intervals. The 8-bar is often used in ragtime, which you can see an example of below: The 8-bar progression is an alternative to the 12-bar version. In this example, some extra chords were added to the 12-bar structure and as a result we got a mix of blues and jazz. 12-bar jazz-bluesĪ more detailed presentation, including measures in the bars: The last time the structure is played in the song, it should end on an E chord. The novelties are only at the end: in the last two bars you should play five measures of the E7 chord and then change to B7 for the last three. See Appendix B for standard 12-bar minor blues in all keys. Also to be familiar with, when learning the 12-bar structure, is the turnaround as in the next example. Your browser does not support the audio element.įor improvising over this 12-bar blues, you can use the Em Pentatonic Blues Scale.Īs already said, there are endless ways to vary the twelve bars (it must not necessarily be 12 bars, the 16-bar blues structure is also popular). The 12 bar section are played two times with turnarounds in the last measure the first time.
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